Alik Sakharov, the DP, and I saw the location and talked about it a lot. I had a vision in my head when I wrote it, but when you move into a place you have to figure out how to shoot in that location. We wanted to be in the middle of the room obviously, so we could be on either side of the booth. We didn’t want to be shooting against a blank wall on one side of the booth; we wanted it to be in the middle to give it depth all around. But there was a radiator unit in the only place where we would really have the room, so we had to build a booth over that radiator unit. It was very difficult. And we did not have much room to dolly or track around. So a lot of what we did in this scene came about after going to Holsten’s. The vision has to coalesce with the real physical location.